In the 80s, graffiti, which had previously emerged in working-class movements of the black community, came from the U.S. to Europe and spread rapidly as part of the hip-hop movement. For some just vandalism, for others art or political expression. What graffiti is, in any case, is against the system. The FLINTA* graffiti crew from Berlin portrayed here (whose anonymity must be preserved for reasons of criminal law) is against the system, the patriarchy, but also against their own scene dominated by CIS men.